迹•象:陈梵元、冯贤波当代水墨书法艺术展

signs-poster-web

迹•象
——陈梵元、冯贤波当代水墨书法艺术展

展览主题:迹•象
艺术家:陈梵元、冯贤波
策展人:罗菲
展览地点:昆明创库TCG诺地卡画廊(西坝路101号)
展览开幕酒会:2013年3月16日,晚上8点
展览时间:2013年3月16日至5月4日
画廊网址:www.tcgnordica.com
联系邮件:info@tcgnordica.com
联系电话:0871-64114692
展览免费参观

陈梵元作品(部分):

chenfanyuan02

chenfanyuan06

chenfanyuan04

chenfanyuan03

chenfanyuan05

chenfanyuan01

关于“迹•象”

水墨与书法艺术作为中国传统文化里独特的艺术形式,在百年来中西方文化碰撞交融过程中面临着前所未有的挑战,艺术界在对水墨画、书法等国画形式进行如何定位、传承发展、或者颠覆超越,表现出截然不同的方向和立场。此次将在创库TCG诺地卡画廊展览的两位艺术家陈梵元与冯贤波的作品正好反映出这样一种多元的面貌。
展览主题“迹•象”包含痕迹、心迹、现象、万象等含义,艺术家试图表达他们的作品作为心境与笔墨的痕迹,与心中所感受到的世间万象之间的关系。
陈梵元是国际书象学社的成员,他常以表现性的方式运用水墨、丙烯、油漆、绳子、布料等各种材料来表达现代书法的观念。他的艺术实验注重书法之精神性,而非识别性,在手法与形态上和西方抽象表现主义遥相呼应。
冯贤波毕业于中国美术学院书法研究生专业,西冷印社成员,对传统山水画、篆书有着深厚的体会和把握能力,自觉传承着传统文化中的精髓。他将元代山水画中高古、静穆的超拔心境赋予到今天的绘画之中,让我们体会到国画艺术的涵养与价值。

相关深度阅读:陈梵元、冯贤波访谈

陈梵元的主页:http://www.artist.cn/chenmo55/StyleBasis_Six/

冯贤波的博客:http://blog.sina.com.cn/u/1251116855

冯贤波作品(部分):

fengxianbo01

fengxianbo04

冯贤波作品

冯贤波作品

冯贤波作品

冯贤波作品

Signs
–Chen Fanyuan, Feng Xianbo Contemporary Ink and Calligraphy Art Exhibition

Curator: Luo Fei
Exhibition opening: 20:00 March 16, 2013
Exhibition duration: March 16 to May 4, 2013 (Sundays close)
Add: TCG Nordica Gallery, Chuangku, Xibalu101, Kunming
Website: www.tcgnordica.com
Email: info@tcgnordica.com
Tel: 0871-64114692
Free Entry

Ink painting and calligraphy are unique art forms within traditional Chinese culture. For almost a century, western and Chinese cultures have collided and intermingled, a process that has continued to present an ever-changing set of challenges for artists. In the art world, there is no fixed definition or critical stance towards ink painting, calligraphy or other traditional Chinese forms. There is no single answer to the question of how to carry on traditions while also experimenting with the new, and how to overturn past traditions when necessary. In this exhibition, TCG Nordica Gallery has chosen the works of two artists, Chen Fanyuan and Feng Xianbo, who reflect this pluralism.
In Chinese, the title of the exhibition, “Signs,” is meant as a reference to traces, moods, appearances and the world at large. The works presented are not merely depictions of traces of ink on a page, but also of mental states and an inner acknowledgement of the interconnectedness of all things.
Chen Fanyuan is a member of the International Shuxiang Society. As a practitioner of contemporary calligraphy, he uses a wide variety of materials, such as ink, propylene, oil paints, rope, and cloth. By being illegible, his art experiments with and draws attention to the inner character of calligraphy – the spirit of the form that exists even in the absence of actual Chinese characters. Echoes of Abstract Expressionism can be found in his technique and style.
Feng Xianbo graduated from the China Academy of Art with an advanced degree in calligraphy, and is a member of the Xiling Society of Seal Arts. He has a deep understanding of landscape painting and seal-style script, and is very conscious of the aspects of Chinese traditional culture that he inherits. He infuses his canvases with a solemnity and silence reminiscent of Yuan Dynasty landscape paintings, bringing a modern twist to an ancient approach that allows us to experience the self-restraint and patience that characterizes the traditional Chinese arts.

Translated by Becky Davis

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